3.31.2009

Support Your Local Zoe Fan Club


copyright Zoe Strauss

Zoe Strauss prints for only $250.
Details are available on Zoe's blog.
Order by May 3 or until they are gone.

Collection No. 6: Sitting Upright on a Chair

copyright Shen Wei


copyright Joseph Tripi


copyright Alec Soth

Word and Images Should Live Apart


I recently participated on a panel discussion in Santa Fe in conjunction with a lecture series for
Through the Lens: Creating Santa Fe. I had prepared a few notes for this panel as I was in the company of some prominent individuals: the two curators, a gallery director, and the museum director. In response to one of the questions, referring to my notes, I responded "Photography, more than any other art form, has to do with memory. It captures a moment in time that is open to the interpretation, first by how the photographer chooses to frame the scene and later how the audience perceives the image that is presented." There are many layers of seeing and presenting an image in and out of its original context. I followed with the "fact" (as was pointed out in the panel discussion, you can give the same historical textual document to 10 different historians and come back with 10 different meanings. Never mind how punctuation can mess it up. See also Roger Casement and the comma) that the meaning of a photograph, more than any other primary resource, is malleable and unguarded against the whims of any subsequent generations. Not only is that individual photograph as a solitary object vulnerable, place it the context of an exhibition or publication and it can take on an entirely different meaning. Then add words and the whole thing can be shot to hell.

With these thoughts still in my mind, I received my copy of Lay Flat 01: Remain in Light in the mail a few days later. Founder Shane Lavalette, co-curator Karly Widenhaus and designer Katherine Hughes have conceived of a project where the images and the words are independent. With the photos as loose plates and the text include in a staple-bound book the audience has the opportunity to observe and absorb them separately.
Although some curation has to taken place in conceiving of the design, the audience has not only the opportunity like in many other magazines to flip to the essay of choice, but also the freedom to shuffle the cards to create his or her own narrative. This magazine is not a revolutionized form of viewing, but it allows for an individual experience within the limits of the print publication.

3.28.2009

Quote: James Agee

"For one who sets himself to look at all earnestly, at all in purpose toward truth, into the living eyes of a human life: what is it he there beholds that so freezes and abashes his ambitious heart? What is it, profound behind the outward windows of each one of you, beneath touch even of your own suspecting, drawn tightly back at bay against the backward wall and blackness of its prison cave, so that the eyes alone shine of their own angry glory, but the eyes of a trapped wild animal, or a furious angel nailed to the ground by his wings, or however else one may faintly designate the human 'soul', that which is angry, that which is wild, that which is untamable, that which is healthful and holy, that which is competent of all advantaging within hope of human dream..."--James Agee, From the chapter Colon in Let Us Now Praise Famous Men

3.25.2009

Call for Entry: PCNW Annual Photographic Competition


The Photographic Center Northwest's 14th Annual Photographic Competition Exhibition, Photo-Op, will be chosen by Ms. Jen Bekman. This annual juried exhibition draws entries from across the country and around the world, and remains among the most popular shows in PCNW's annual schedule. Selected entries will be exhibited at PCNW in Seattle from July 13th - September 4th, 2009. First, second, and third prize winners will take home $1000, $500, and $250 as well as $75 Gift Certificates of Blurb Scrip for each winner. The competition is open to all photographers, all photographic processes, and all themes. The juror is looking for work that represents a larger, cohesive body of work and will be selecting a short series from each photographer chosen. The entry fee is $47 for a minimum of five jpegs & artist statement file. Additional jpegs will be accepted if accompanied by a seven dollar per jpeg fee, up to ten jpegs total.

Deadline is Friday, May 15, 2009.



Of all the economies...

"Of all the economies in the world that are fed by cheap raw materials, there is perhaps none so glutted with resources as the economy of metaphor. Every thing, when you think about it, is just waiting to have meaning assigned to or discovered in it."-- Nicholas Muellner from The PhotographCommands Indifference