Showing posts with label Best books. Show all posts
Showing posts with label Best books. Show all posts

1.04.2012

My Best Books of 2011

My list of Best Books of 2011 as posted on photoeye.com.


Mexico Roma.
GRACIELA ITURBIDE

Last year, Graciela Iturbide was able to actualize a long-awaited project with work she produced in Mexico City between 1974 and 2009 and Rome in 2007. Iturbide images make Rome fell like Mexico. The book is a small perfect bound object printed on a warm paper and wrapped in gray cover with simple adhesive labels that Iturbide bought in Bolivia adorning the exterior of the back and front covers. Each label displays the title and photographer's name handwritten by the photographer herself. With her multiple personal touches, each book a unique object. This book is modest, unassuming and sweet. 
 
Before Silence.
MATHIAS GRATE

The stark blacks showing everyday moments remind me of black and white films. They are not as disquieting as the work of Ingmar Bergman or photographs of Anders Petersen, but Grate's work is buried in that of his Swedish predecessors. I want to live in the quiet moments of Before Silence. 
 
Homage.
JIM KRANTZ

Jim Krantz's Homage is a benefit project for the Natural Resource Defense Council and houses essays by novelist Askold Melnyczuk, scientist Scott Clearwater, NRDC's Henry L. Henderson, blogger and recovering alcoholic John King, and Krantz. The publication is a well-rounded advocacy book project plus really well composed and produced images. 
 
Koudelka.
JOSEF KOUDELKA

I guess this is something that I should not truly admit, but I was never in love with the previous publications of Josef Koudleka's Gypsies work. This newer edition contains many more images than originally seen in the older editions and shows Koudelka as a master craftsman of imagery and visionary in book editing. 
 
 
Interrogations.
DONALD WEBER

Donald Weber's Interrogations illustrates Weber's love for his temporary home of the ex-Soviet Union and the bureaucracies and inequalities that still exist and often impede "progress." It is presented in three chapters: Prologue, which shows some images of daily life; Interrogations, portraits of confused, distressed and scared citizens being questioned by the authorities; and finishes with Epilogue by Larry Frolick and Weber, a text which further illustrates Frolick and Weber's love for the Russian citizens and their role in this project: "letting the denied tell their stories through you." The book is wrapped in a textured printed paper which mimics one of the wallpapers of the interrogation rooms and is stitched with one thread in the center. The uncut text block allows a play on design; the "creep" extends way beyond the cover. This element is clever design, but feels as though it may also be commentary on the character of those unseen in the second section. It is finished with a cardboard slipcase. It is so simple, but so intense. 
 
Sicarios.
JAVIER ARCENILLAS

The conditions of the assassins and those living in Guatemala make up more of the story of Sicarios than just the killings. Many images are violent and disturbing because often the victims have committed a minor injustice, if any at all, and the assassins are often young men who see no future, men for whom killing becomes a job motivated by simply a need to make a living, often a meager one at that. This book Sicarios is a vehicle for Javier Arcenillas, with the help of his friends at El Periodico de Guatemala, to tell a very real story. Included is an introduction by the director of El Periodico, Juan Luis Font, and an interview with Arcenilla, and complete plate listing with detailed captions. This book was the first FotoEvidence book award winner. 
 
A Living Man Declared Dead & Other Chapters.
TARYN SIMON

Another big book of 2011 showing Taryn Simon's obsessive need to catalogue, document and categorize. Unlike other books that are comparable in size—James Nactwey's Inferno which was reminiscent of an ancient Bible or John Gossage's Berlin in the Time of the Wall which felt much like a slab of the deconstructed Berlin Wall—Simon's monolithic tome is more of an attempt at a themed census of the human population. The design (size) is perfectly suited to the subject matter and Simon's strong images are a varied mix of portraits, environmental portraits sans humans, and related supporting materials. 
 
One to Nothing.
IRINA ROZOVSKY

A friend of mine told me a story about traveling across Europe and running out of money in Spain. He was with another young man in his early 20s, and they decided that they would take up wrestling on the beach in their underwear to make money for the rest of the journey. The plan seemed to have worked as he told me this many years later in Santa Fe. So, One to Nothing had me at the cover. Upon opening the book, I found that the big square images laid side-by-side made for a wonderful journey through Israel using diptychs as my guide and many of the singular images are brilliantly conceived: I really love the "headless camel." 
 
The Half-Life of History.
MARK KLETT

Mark Klett's newest book, like his previous publication Saguaros, is designed and printed with the Santa Fe-base publisher Radius Books. It is housed in a wrap around hardcover binding and also tops my list as one of the best designed books of the year. It successfully incorporates historical pieces with Klett's color and black-and-white images to create a look back at some of the locations relating to the first atomic blast inflicted on a human population. It finishes with a personal story of how writer William L. Fox and Klett experienced and documented the current Wendover Air Force Base, which housed the bomber that carried "Little Boy," the bomb dropped on Hiroshima on August 6, 1945. 
 
Redheaded Peckerwood.
CHRISTIAN PATTERSON

Redheaded Peckerwood is Christian Patterson's revisiting of the brief period of activity of an infamous criminal couple. Patterson looks back at many of the locations associated with the murders that caused 19-year-old Charles Starkweather and 14-year-old Caril Ann Fugate to go on the lam in the end of 1957 and shortly into 1958. The essays by Luc Sante and Karen Irvine included in this book are reproduced in a typewriter text pamphlet inserted in the back cover and contextualize the two teenagers in time. It is an understated book for such a sensational topic.

1.07.2011

My Best Books of 2010

In January of 2008, I started this blog because I wanted to share my favorite books of 2007. Since that time, I have been posting as part of my position at photo-eye on the magazine. This year I am please to have participated in the selections for photo-eye's Best Books of 2010. Below are my selections and links to all of the contributors on photo-eye Magazine.

I love the loose folios on matte paper and the way Dumas is able to capture an animal looking right through the photographer—blank, but not vacant. 

 

The costuming of Galembo's subjects makes the work itself fascinating, but the strength of her portraiture what really makes the project and book work. 

 
Atlanta.
MICHAEL SCHMELLING

This design of this book reflects its subject well. It rounds out the hip hop and rap culture showing scenes in Atlanta from strip clubs to pit bulls to production studios and interviews with Big Boi, Ludacris, and others.
 
Oaxaca.
JUAN RULFO


This is such an understated book with its white cover and small square images of Rulfo's resting on the upper third of the pages. The red edges give it even more of a precious quality reflecting back to an early time in publishing when many books were ornamented in this fashion. 
 
La Residence.
JH ENGSTROEM


This book contains diary excerpts printed in three languages of JH Engstrom. The many parallel folds are a nice feature hiding part of the sequence of images allowing the reader to first take in quotes like "These pictures may be an account of my failure to depict photographically a place I didn't go to for private reasons." 

 
Wrong.
ASGER CARLSEN

Asger made me want to shoot black and white film again. The images reflect back to reportage photography and the likes of Weegee. Looking at the photos in Wrong becomes a surreal seemingly drug-induced experience where I question if I see the photo that way or if my history and my biases are defining and forming the image. They are ever-so-simple, yet with multiple layers of complexity. 

The Kaddu Wasswa Archive.
ANDREA STULTIENS


Thanks to George Slade for nominating this one. It brought this wonderful book to my attention which chronicles the day-to-day life of Ugandan teacher and social worker Kaddu Wasswa. It includes photos, excerpts of writings, reproductions of scrapbook pages, among other ephemera on the life of this man. It has a striking cover and the weight of the book feels unusual and comfortable in my hands. 

Crime Victims Chronicle.
RAYMON MEEKS & DEBORAH LUSTER


This is a lament to survival. Disturbing and comforting at this same time all in a serene creamy package with plenty of "white space" for meditation between images and texts. 


Grimaces of the Weary Village.
RIMALDIS VIKSRAITIS


This book might be my favorite for cover design. The expression about judging a book by its cover is indeed true. Many books can turn you on, or off, just by its packaging. Not only does it have strength on the exterior, the interior images are disturbing, a sort documentary of "exoticism of the familiar." 

1.11.2009

The Lucky 13: Jeff Mermelstein's Best Books of 2008

Jeff Mermelstein is a photographer who has published two books of his own including Sidewalk and my favorite No Title Here. Jeff and I email almost on a weekly basis about photobooks and I know he has wonderful taste in books. Here are his picks for the 13 Best Books of 2008, not in any particular order.


From Drive by Andrew Bush


1. Drive. Andrew Bush. Yale University Press.

2. Pretend You're Actually Alive. Leigh Ledare. PPP Editions.

3. Bird. Roni Horn. Steidl/Hauser & Wirth.

4. Helen Levitt. Helen Levitt. powerHouse.

5. A Road Trip Journal. Stephen Shore. Phaidon.


6. Bill Wood's Business. Bill Wood. Steidl/ICP.

7. The Solitude of Ravens. Masahisa Fukase. Hysteric Glamour.

8. New Mexico. Lee Friedlander. Radius.



9. Anna Fox Photographs 1983 - 2007. Anna Fox. Photoworks.

10. William Eggleston Democratic Camera, Photographs and Video, 1958 - 2008. Sussman, Weski ...

11. Primal Elegance. Larry Fink. Lodima Press.




12. American Sports, 1970. Tod Papageorge. Aperture.

13. The Americans. Robert Frank. Steidl.

1.04.2009

Nature of the Blog

I started this blog only one year ago on January 3, 2008 with the intent to just put my two sense worth out there about my Best photobook picks of the year. I did not have a real plan or a title of the blog, hence the descriptive title of melaniephotoblog.com. Being so immersed in photobooks, I felt I had something share. The blog can be a lonely creature floating out in this internet it seems that many photography bloggers are crying out for more community and some are feeling a sense of fatigue. I have no solution for this, but will continue with my little corner and try to figure out what to do next.

I do not want to publish what I ate for breakfast or to describe the modest snow hill in our backyard (it is a fast ride, BTW), but I will soon release, in my humble opinion, the best books of 2008 (2007 can be found here). Happy New Year!




12.28.2008

Ron Jude's Best Books 2008

If you read this blog, you might know that am a big fan of Ron Jude. He takes great photos and is a very nice guy. He also has pretty darn good taste in photobooks. I asked Ron to share his best books for 2008. Here is what he had to say:

I’m a big fan of photo books. In fact, I typically prefer them to exhibitions. However, as is the case with so many things in my life, I’m not very organized about how I go about collecting books. I’m not a big reader of blogs, and I don’t keep a list of things I need to get as soon as they’re released. I order books online occasionally, but I usually prefer to hold a book in my hands and get to know it in a tactile sense before I lay down $50 or $60 dollars for it. This means that by the time I end up buying a book, it’s usually already been around for a few months, sometimes a few years. This delayed and haphazard strategy means that I’ll inevitably miss out on a few things—like Paul Graham’s A Shimmer of Possibility, since there was a feeding frenzy when it was released. (I guess I’ll get the $65 SteidlMack version.) I’m usually drawn to buying books with lower profiles anyway, so I’m okay with missing out on a few blockbusters. Books that are over $80 or $90 when they’re brand new and still in print I usually won’t buy out of principal. I know high-quality photo books are expensive to produce, but the book format for me is principally about allowing a broad audience access to the work, not just the same people who are probably also buying editioned prints from the photographer’s gallery. (I have a few books in my collection for which I broke this rule, like John Gossage’s brilliant Hey Fuck Face, but not many.) So, with this disclaimer in mind, I’ve compiled my list of the “top-nine photo books of 2008”. Only five of which were actually published in 2008—three were put out in 2007, and one in 2006, but I got them in 2008. (Dumb, I know.) All but two of these books are photo books that crossover into the realm of “artist’s books,” which is the kind of book I have a particular fetish for. I think the biggest challenge in book publishing, especially with so many “indie” presses out there these days, is making quality books that rely on good simple designs and strong, yet understated concepts, without huge budgets.





1. As Far As I Could Get by John Divola. Published by Farewell Books, Gothenberg, 2007. This, to me, is damn near a perfect book. (And it cost $10!)

2. Empty Frames by John Clayman. Published by MOT International, London, 2006.
Right up my alley: utterly esoteric and mind-numbingly obtuse. What a great book! This one made me giddy when I first picked it up at Printed Matter in New York, and like any truly good book, I keep going back to it and it continues to engage me.

3. Dirt Land by Peter Sutherland. Published by Gallery White Room, Tokyo, 2007. The prolific Peter Sutherland has renewed my faith in photography. Awesome book.




4. Streets and Trails by Bernhard Fuchs. Published by Hassla Books, New York, 2008.
A quiet, beautiful book that completely refreshes the Düsseldorf aesthetic. (Bernhard tells me that Walther König is going to publish another book of this work in the spring. Get this understated version while they’re still in print!)

5. Nina Pohl by Nina Pohl. Published by Snoeck, Köln, 2007. A high-end monograph (exhibition catalog, actually), with an artist’s book sensibility. Fantastic design, beautiful reproductions, and very smart photography. (Thanks to Tricia Gabriel for putting me on to this one.)

6. The Marine Layer by Peter Holzhauer. Self-published, 2008. Peter Holzhauer is a fantastic photographer from L.A. who seamlessly blends traditional, large-format aesthetics with complex conceptual strategies. Really smart work, and a successfully nuanced sequence for the book version of this project.

7. Heart Shaped Hole by Charlotte Dumas, Galerie Paul Andriesse, Amsterdam, 2008. Charlotte Dumas has a deceptively simple program that builds on itself very effectively with each subsequent read. I recommend buying all of her publications and sitting with them for a while. Really beautiful, simply designed books, masquerading as catalogs. (The reproductions are outrageously good, too.)



8. The Chance is Higher by Ari Marcopoulos. Published by Dashwood Books, New York, 2008. I know, I know, another book by Ari Marcopoulos… This is one instance when I’m a sucker for fancy design. This is a solidly conceived of book by David Strettell at Dashwood, and designed by Gavillet & Rust in Geneva. A really beautiful object that is carefully balanced with Marcopoulos’ tough, Xerox-copied, photographs. A great book. (Coming in right at my cut-off price of $85.)

9. Photographs by Jason Polan and Michael Worful. Self-published, New York, 2008.
An un-ironic blend of earnest sentiment and transcendent humor. A really fantastic, staple-bound book of 18 photographs.

12.15.2008

Jeff Ladd and Joerg Colberg's Best Books 2008

Another list... Bibliophile's dream on 5b4 and Conscientious.

Both have a few of my potential favorites including Sent a Letter. Check out the list on Jeff Ladd and Joerg Colberg's blogs.


12.02.2008

Santa Fe Arts Publication THE Magazine's Best Books 2008





THE Magazine, Santa Fe art publication just release their selection for the Best Books of 2008. I wrote a review for Towell's The World from My Front Porch. Check out the illustration for the front of the magazine for all the book covers.

11.20.2008

PDN's Best Books


It is that time of year again when all those photobook nerds start releasing their 'best of' lists (Mine will be out soon). PDN beat most of us to the punch. Their list includes:

Beaufort West by Mikhael Subotzky
A Road Trip Journal by Stephen Shore
Interior Exposure by Jessica Todd Harper
Frenchkiss by Anders Petersen (interior image shown above)
Saguaros by Mark Klett
and a few others.

View the entire list and the reviews at PDNonline.

8.11.2008

Les Rencontres d'Arles Book Awards


Rencontres d'Arles's 2008 annual photography festival in Arles, France selected their annual book awards in July. The prize for Contemporary Book Award went to Michael Abrams for Strange and Singular (image shown above) and for Historical Book Award the honor went to Nein Onkel. Both using vernacular imagery in an unusual way.
Fortunately, all the nominees for the honor are listed on the Rencontre d'Arles site. Some of which I would like to note as a few of my favorites for the year.
Mind you, some of the books in the nominees list have not made it across my so the list above might be incomplete.
This blog will host an interview with Strange and Singular author Michael Abrams later in the summer.

7.07.2008

Fraction Magazine publishes my new book recommendations


©Andy Mattern
Fraction Magazine just launched its second issue featuring work by Andy Mattern, Clay Harmon, Polly Chandler, Julia Sapir, and Tomas Richardson. This second issue also features a review of the festivities associated with the New York Photo Festival by Mary Goodwin and some of the best photo books of 2008 by yours truly.

1.03.2008

melanie's best books 2007

What better way to start off the New Year and a new photo blog that giving my humble opinion about the best photobooks of last year. Being immersed in the photobook world for over ten years now, I have developed an inclination toward the book as object. I love the overall use of design, type, and imagery to make a complete package. This year, I have selected some of my favorites mostly with this in mind.

My first selection is Bodywork by Liz Cohen. This book is bound in black matte, rounded boards with white racing font speeding across the cover. The pages are auto manual quality with color glossy inserts of a bikini-clad model posing with the car. Upon greater examination, I realized that Liz is the model and the mechanic. She purchased a Trabant in Berlin and shipped it to America to convert it to a lowriding Chevrolet El Camino. She learned to work on the car while simultaneously working with a physical trainer to pose as the model. The title Bodywork relates to both transformations. It is a magnificent conceptual book contrasting the utilitarian with the aesthetic and stereotypical role of male with the female.

Although the publisher listed the book as published in 2006, Bodywork was distributed in the US this year. Liz has two other books by this publisher (see the Bodywork link above) about this same body of work which I have not seen, but guess are just as interesting.



"Actually, the angel ought to have had his dwelling in me. But he knew only angelic truth and understood nothing about man." from Memories, Dreams, Reflections by C.G. Jung.


"Hiroshi Watanabe's new book I See Angels Every Day takes place in the San Lazaro Psychiartic Hospital and the surrounding town of Quito, Ecuador in 2001. Unlike the angel in Jung's dream, Watanabe's manifestations of his visions in photographs reveal an understanding of mankind's truth. As Suzuki Masufumi's states in his prelude to this book, Watanabe is willing to "situate himself within the double-mirror of the gazes" to look outward and embrace being gazed upon-to understand. The book includes 80 plates expanding the work previously seen in the self-published, Faces Vol. 1. San Lazaro Psychiatric Hospital. These photographs, along with still lifes and additional portraits, are divinely printed in monochrome.



In Almost Every Picture is the product of the quirky Dutch publisher, Kessels Kramer. The newest in the series, #6: Passport, once again uses found photos to explore the life of an anonymous sitter. This volume documents the change of one woman though her passport pictures with dates starting in 1926 as a young girl and finishing with the last photo in 1978 a mature woman in her 60s.

Just a side note, be sure to check out the links on the publishing site for KesselsKramer.com and The Other Final.



In the foreword to An American Index of the Hidden and Unfamiliar, Salman Rushdie uses a quote from his novel Midnight's Children to apply to Taryn Simon's newest project, "Most of what matters in our lives takes place in our absence". Simon curiously takes us where most do not want to go--the Nuclear Waste Encapsulation and Storage Facility, the U.S. War Interrogation Resistance Program, the den of a hibernating Black Bear and cubs. She allows us to see what only the privileged few have seen--a tribal member hanging from the Sacred Tree at the Lakota Lone Star Sun Dance, the Death Star model at Skywalker Ranch, uncut notes totaling over $220,800,000 at the U.S. Bureau of Engraving and Printing. Each of the varnished color plates includes a few paragraphs of informational text, satisfying the intellectual voyeur in all of us.


Last year, the London-based publisher Thames & Hudson release a beautiful softbound book of director Andrey Tarkovsky's polaroids. This year, the Tarkovsky Foundation and White Space Gallery, London, have followed up this simple, quiet softbound book of 2006 with an elegant hardcover. The new book is titled Bright, bright day after a line in the included poem by Andrey's father and poet Arseniy Tarkovsky is wrapped in beige cloth and debossed on the cover with a drawing of Tarkovsky's in gold. In addition to this included text the book also has an introduction by British photographer Stephen Gill and Andrey A. Tarkovsky, the director's son, a conversation on Tarkovsky's Documentary Romanticism, and a story by Andrey Tarkovsky with accompanying photos by his friend Lev Gornung. The essays and photos are connected by the theme of memory and what Roland Barthes calls History. In Camera Lucida, Barthes states when viewing photos of his recently deceased mother, "Photography thereby compelled me to perform a painful labor; straining toward the essence of her identity, I was struggling among images partially true, and therefore totally false."


As a History major in undergraduate studies I learned, sad to say in my final year, that History is not an exact science. It is biased based on what the individual documenting the event brings as baggage and sometimes what political motivational factors might be at work. James Mollison and Rainbow Nelson's exploration of the life of Pablo Escobar published by Chris Boot, The Memory of Pablo Escobar, is a well-documented biography, of sorts, of the iconic figurehead of the Medellin drug cartel. Because of the many gaps that exist in Escobar's life because of destroyed potential evidence, Mollison and Nelson allow each archive to speak for itself. Presented as chapters, the archives display images from a newspaper, a press photographer, the police files and a few friends. The final chapters include some of Mollison's Colors-style photographs of Escobar's family, friends and acquaintances along with artifacts from his life.


Anna Clarén's new book, Holding has no text--only the supposed biographical imagery of a sad, long-lost photo album. In this album, the light is harsh and the colors are faded. Some of the same characters appear again and again, including a blond woman, who I assume to be Clarén or perhaps a model representing her. In one pictures, she stares into the camera over wine and a bland dinner; in another she closes her eyes to the camera--not allowing the viewer in. Roland Barthes (once again) explored the photograph of his mother in a chapter of Camera Lucida. He states "I want to enlarge this face in order to see it better, to understand it better, to know its truth." He flips the image, just as the reader of Holding does with the pages of this album, to delve into the papers depth, only to find the grain of the image.


Despite the fact that it is somewhat disconcerting to me that the person of the cover of Anders Peterson's book Close Distance looks remarkably like the American actor, John Goodman, I still explored farther and did not judge a book by is cover. Petersen's portraits are deep and emotional and his prints are rich, black and grainy. This book by the amazing and very influential Swedish photographer was published in 2002 by Journal, but I just discovered this year. It is worth noting, nonetheless.




Cuny Janssen's There is Something in the Air in Prince Albert, South Africa juxtaposes her landscapes of the middle of the "Great Karoo" with the richly-colored portraits. Despite the youth of many of her subjects, each individual stares in the camera with intention and wisdom creating the same feeling as looking at her photos of the ancient seabed formed millions of years ago. The book design intertwines the two by repeating partial images on the front and the back of each page creating a feeling that the land and people are forever inseparable.


Other books that I think deserving of attention this year are Alec Soth's Dog Days Bogotá, Joel Tettamanti's Local Studies, Kaylynn Deveney's The Day to Day Life of Albert Hastings, Michael Abrams' Strange and Singular, Mark Klett's Saguaros, and Max Kozloff's The Theater of Face: Portrait Photography since 1900.


A book I would love to see and can not recommend first hand is by the artist recently published in Aperture magazine, Pieter Hugo. There is an upcoming book due out in the US in February called The Hyena & Other Men, but has already been published in Europe by Prestel Verlag.



Although this blog entry is not an extension of my position as Book Division Manager at photo-eye Books, I have to acknowledge photoeye.com as a source for most if not all of the books and some of the text that I wrote for the email newsletters.