1.04.2012

My Best Books of 2011

My list of Best Books of 2011 as posted on photoeye.com.


Mexico Roma.
GRACIELA ITURBIDE

Last year, Graciela Iturbide was able to actualize a long-awaited project with work she produced in Mexico City between 1974 and 2009 and Rome in 2007. Iturbide images make Rome fell like Mexico. The book is a small perfect bound object printed on a warm paper and wrapped in gray cover with simple adhesive labels that Iturbide bought in Bolivia adorning the exterior of the back and front covers. Each label displays the title and photographer's name handwritten by the photographer herself. With her multiple personal touches, each book a unique object. This book is modest, unassuming and sweet. 
 
Before Silence.
MATHIAS GRATE

The stark blacks showing everyday moments remind me of black and white films. They are not as disquieting as the work of Ingmar Bergman or photographs of Anders Petersen, but Grate's work is buried in that of his Swedish predecessors. I want to live in the quiet moments of Before Silence
 
Homage.
JIM KRANTZ

Jim Krantz's Homage is a benefit project for the Natural Resource Defense Council and houses essays by novelist Askold Melnyczuk, scientist Scott Clearwater, NRDC's Henry L. Henderson, blogger and recovering alcoholic John King, and Krantz. The publication is a well-rounded advocacy book project plus really well composed and produced images. 
 
Koudelka.
JOSEF KOUDELKA

I guess this is something that I should not truly admit, but I was never in love with the previous publications of Josef Koudleka's Gypsies work. This newer edition contains many more images than originally seen in the older editions and shows Koudelka as a master craftsman of imagery and visionary in book editing. 
 
 
Interrogations.
DONALD WEBER

Donald Weber's Interrogations illustrates Weber's love for his temporary home of the ex-Soviet Union and the bureaucracies and inequalities that still exist and often impede "progress." It is presented in three chapters: Prologue, which shows some images of daily life; Interrogations, portraits of confused, distressed and scared citizens being questioned by the authorities; and finishes with Epilogue by Larry Frolick and Weber, a text which further illustrates Frolick and Weber's love for the Russian citizens and their role in this project: "letting the denied tell their stories through you." The book is wrapped in a textured printed paper which mimics one of the wallpapers of the interrogation rooms and is stitched with one thread in the center. The uncut text block allows a play on design; the "creep" extends way beyond the cover. This element is clever design, but feels as though it may also be commentary on the character of those unseen in the second section. It is finished with a cardboard slipcase. It is so simple, but so intense. 
 
Sicarios.
JAVIER ARCENILLAS

The conditions of the assassins and those living in Guatemala make up more of the story of Sicarios than just the killings. Many images are violent and disturbing because often the victims have committed a minor injustice, if any at all, and the assassins are often young men who see no future, men for whom killing becomes a job motivated by simply a need to make a living, often a meager one at that. This book Sicarios is a vehicle for Javier Arcenillas, with the help of his friends at El Periodico de Guatemala, to tell a very real story. Included is an introduction by the director of El Periodico, Juan Luis Font, and an interview with Arcenilla, and complete plate listing with detailed captions. This book was the first FotoEvidence book award winner. 
 
A Living Man Declared Dead & Other Chapters.
TARYN SIMON

Another big book of 2011 showing Taryn Simon's obsessive need to catalogue, document and categorize. Unlike other books that are comparable in size—James Nactwey's Inferno which was reminiscent of an ancient Bible or John Gossage's Berlin in the Time of the Wall which felt much like a slab of the deconstructed Berlin Wall—Simon's monolithic tome is more of an attempt at a themed census of the human population. The design (size) is perfectly suited to the subject matter and Simon's strong images are a varied mix of portraits, environmental portraits sans humans, and related supporting materials. 
 
One to Nothing.
IRINA ROZOVSKY

A friend of mine told me a story about traveling across Europe and running out of money in Spain. He was with another young man in his early 20s, and they decided that they would take up wrestling on the beach in their underwear to make money for the rest of the journey. The plan seemed to have worked as he told me this many years later in Santa Fe. So, One to Nothing had me at the cover. Upon opening the book, I found that the big square images laid side-by-side made for a wonderful journey through Israel using diptychs as my guide and many of the singular images are brilliantly conceived: I really love the "headless camel." 
 
The Half-Life of History.
MARK KLETT

Mark Klett's newest book, like his previous publication Saguaros, is designed and printed with the Santa Fe-base publisher Radius Books. It is housed in a wrap around hardcover binding and also tops my list as one of the best designed books of the year. It successfully incorporates historical pieces with Klett's color and black-and-white images to create a look back at some of the locations relating to the first atomic blast inflicted on a human population. It finishes with a personal story of how writer William L. Fox and Klett experienced and documented the current Wendover Air Force Base, which housed the bomber that carried "Little Boy," the bomb dropped on Hiroshima on August 6, 1945. 
 
Redheaded Peckerwood.
CHRISTIAN PATTERSON

Redheaded Peckerwood is Christian Patterson's revisiting of the brief period of activity of an infamous criminal couple. Patterson looks back at many of the locations associated with the murders that caused 19-year-old Charles Starkweather and 14-year-old Caril Ann Fugate to go on the lam in the end of 1957 and shortly into 1958. The essays by Luc Sante and Karen Irvine included in this book are reproduced in a typewriter text pamphlet inserted in the back cover and contextualize the two teenagers in time. It is an understated book for such a sensational topic.

12.15.2011

photo-eye 2011 Staff Show

Cropped images shown above by Allison Ramirez, Anne Kelly, Antone Dolezal, Cliff Shapiro, Melanie McWhorter and Sarah Bradley, respectively
The 3rd Annual Staff Show
Photographs and other works by Allison Ramirez, Anne Kelly, Antone Dolezal, Cliff Shapiro, Melanie McWhorter and Sarah Bradley.

Opening Friday, December 16th, 4:30-7:00 pm
On Display through February 4th, 2012
At photo-eye Bookstore, 370 Garcia Street, Santa Fe, NM 87501

A reception and opening party will be held Friday, December 16th from 4:30 to 7 pm at photo-eye Bookstore. This year’s exhibition will feature photographs, drawings, masks and other mixed media formats by photo-eye Bookstore and Gallery staff. Artist and staff members featured are Allison Ramirez, Anne Kelly, Antone Dolezal, Cliff Shapiro, Melanie McWhorter and Sarah Bradley.

Contact Melanie McWhorter (505.988.5152 x112) for more information.

Come visit us if in Santa Fe!

12.07.2011

Access2Editors



I am one of the editors to be selected for the new portfolio review website Access2Editors. Access2Editors will help people prepare for a more successful review experience...finalize sequencing, get feedback on a statement, etc. Access2Editors is partnering with CENTER's annual competitions leading up to Review Santa Fe. The prizes are listed on the respective pages for CENTER's The Project Launch Award and The Project Competition Award. More info on Access2Editors can be found by visiting the site.





     

    Postcards By My Desk: McNair Evans

    McNair Evans is from my world-- both the American South and, of course, photography. He is a southern gentleman and being the small photo world as it is, we have some friends in common who still live and practice the art in South Carolina and surrounding states. His photos bring to mind the slow living in this area of the United States. He captures quite moments that could be almost anywhere, but are undeniably Southern. His card with the image from the project and zine, A Journal of Southern History, make me pine for my homeland every day (even though I simply think I am too cosmopolitan, I am a country girl at heart). Many of his images are taken in the winter months, with leaves falling off the deciduous trees and the kudzu even relenting for a while. The fading light that falls over most of the images giving them a glow and light falls on its subjects who for a time can forget the unrelenting heat of the hot summer months. There is an ease and comfortable feeling to his photos that epitomize the lifestyle of this region. This project and others can be found on his website and blog.

    Postcard of image by McNair Evans

    Back of postcard by McNair Evans

    McNair Evans' zine, A Journal of Southern History

    copyright McNair Evans

    copyright McNair Evans

    11.29.2011

    Postcards By My Desk: An Artist Feature

    I have been trying to think of a creative way to promote the artist I like. Like is such a good, simple word even if Facebook has usurped its meaning. I feel a connection and a warm feeling when looking at the work whatever the subject matter-- comforting or disturbing. I finally just started looking around my desk. At work, I hang up family pictures, phone lists, drawings but also postcards with images or projects that I do not want to forget. Despite the fact that I recycle almost every item I can, I still love the consumption of paper products for images, and of course books. I confess I love letters and postcards, and as many of my personal friends and family will note, I do not send them enough. I love to get them in the mail. It might harken back to my brief time in college in England when I would run down every day to see if there was a card or package on the table for me. If a box arrived, I was delighted to get my next shipment of grits from South Carolina. Most of all, I looked from cards that said love Mama, Dad and Mama Jo. There is something comforting about holding that paper in your hands and reading the words that a special person chose to write to you. Thus my love for paper, images and written word continues. 

    Postcard, Nadine Boughton
    Back side postcard, Nadine Boughton (complete with Scotch tape)

    I meet many artists at portfolio reviews and I attempt to contain all the faces, personalities and images in my head. It is an overwhelming task especially for a feeble brain with horrible memory retention. Although many cards that I get at the event and as a follow up do not contain special notes or the signing off with a closing such as "Love, reviewee", I still want to keep them because of an image contained on the front. At Photolucida 2010, I met Nadine Boughton. Boughton's work incorporates images that she appropriated from men's adventure magazines from mid-century. The women are shown in as bosom bearing, sexy seductresses often in need of rescue and the men are often fighting off other men or some sort of wild beast, but most of the action is set in a domestic setting like you would see on the set of The Brady Bunch. Although Nadine and I may be of a different generation, the work makes me think of the days playing with our Barbie and Ken dolls calling them names like Samantha and Todd and dreaming up scenarios where we are often the damsel in need of rescue from distress. I just look at Boughton's photo and say "fight that jaguar, honey". You can do it. Boughton creatively uses images from suburban cultural history to bring to attention to how these male/female roles have or have not changed today. 


    11.28.2011

    Fraction Magazine Holiday Print (and Book) Sale 2011

    For a few years now, Fraction Magazine has been hosting a Holiday Print Sale to benefit the artists whose work has been show on Fraction. Many artists also choose to donate back to Fraction to keep this online magazine up and running as a valuable contribution to the online photography community. This year there are also a few book/book and print choices including the ones by Susan Burnstine and Paula McCartney shown below. Scroll through the many prints at Fraction Magazine and find many gifts for under $100 and a new Paypal option this year makes it even easier to purchase the print or book of your choice.

    Paula McCartney's On Thin Ice, In a Blizzard offset printed artist book $25

    Geoffrey Ellis, Luggage Cart, Jakarta, print edition of 9, 8x12 in / 9x13 paper Fuji Crystal Archive C-Print, $100

    Lex Thompson, Breaking Wave, print edition of 100, 8x10 in C-print,  $25



    Susan Burnstine, Within Shadows, Susan Burnstine. Book & Print set (select from 3 prints, edition 50 each: Threshold, Circuitous and ...When?), $150.00